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French Decorative Bookbinding - Eighteenth Century

Louis Douceur 1750?


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SORET (G.-J.). Discours qui a remporté le prix d'éloquence par le jugement
de l'Académie françoise,
À Paris, Chez Claude Hérissant, 1749, in-12,
maroquin rouge, dentelle dorée à l'oiseau et au lis autour des plats, armes au centre, dos à nerfs orné, doublure et gardes de papier à fond étoilé doré, roulette intérieure dorée, tranches dorées (reliure de l'époque).




SORET (G.-J.). Speech that won the prize of eloquence by the judgment of the French Academy ... Paris, Claude Hérissant, 1749. In-12, red morocco, gold tooled Dentelle, with bird and lily around the boards, coat of arms in the center, spine adorned, liners and paper guards with golden starry background, gold tooled inner roulette, gilded edges, (Reliure de l'époque).

Original edition.

Jean Soret, a lawyer in the parliament of Paris, a member of the Academy of Nancy, won the prize of eloquence awarded in 1748 by the French Academy. The theme was: men do not feel sufficiently how advantageous it would be for them to compete for the good and happiness of one another. Soret saw himself discerning this same price of eloquence for the competitions of the years 1752 and 1758. He composed in 1770 an Ode for the marriage of the Dauphin, future Louis XVI, eldest son of Louis-Ferdinand of France and Marie-Josèphe de Saxe .

Armes of Marie-Josèphe de Saxe, dauphine of France, quoted by Quentin Bauchart.

Daughter of Augustus III, King of Poland and Prince-Elector of Saxony, Maria Josepha von Sachsen (1731-1767) became dauphine of France in 1747 by her marriage with Louis-Ferdinand, eldest son of Louis XV, barely widowed Infanta Maria Theresa of Spain. The marriage proposed by Marshal Saxe, the winner of Fontenoy, was to serve to renew the alliances between Saxony, Poland and France, after the tensions due to the succession of Austria. The young Dauphine had some difficulty in conquering her husband's heart, inconsolable with the loss of his first wife, and making herself accepted by the court, but she finally succeeded in doing so by a keen sense of diplomacy that impressed people deeply. particular, Marie Leszczynska. She is the mother of the last three Bourbons who ascended the throne of France, Louis XVI, Louis XVIII and Charles X.

La reliure est intéressante par son vocabulaire ornemental. Dimensions : 168 x 93 mm.  Provenances : Marie-Josèphe de Saxe, dauphine de France ; Potier (Cat., 1870, n° 328) ; vente anonyme [Liliane de Rothschild] (Cat., 9 nov. 2006, n° 200, avec reproduction). Quérard, La France littéraire, VIII, p. 215 ; Quentin Bauchart, II, pp. 91-104 et 102, n° 23 ; Olivier, pl. 2526, fer n° 2. 


When I first stumbled on this binding in a tiny auction window, I really had my doubts. The corner imprint was unusual, but anyway I searched high and low to get a good sized picture of this item and by a miracle found one (click here to see it) nothing happens by accident.




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Comparative Diagram 1 - Soret imprints vs Douceur imprints
(click on this image to see an enlargement)


When I finally managed to resize the binding, I was surprised to see that the d-13 imprint overlay, shown at the bottom of Comparative Diagram 1, was a close match, this has to be a Douceur, but where are all the usual 1750 tools?



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Comparative Diagram 1 - armes of Marie-Josèphe de Saxe, dauphine de France
 vs the 1745 BnF armes of Marie-Thérèse d'Espagne, dauphine de France.
(click on this image to see an enlargement)


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click here to return to the INDEX of the 1749 Henault pages.


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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


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Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


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Atelier des Caumartin 1652-1715


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Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf