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French Decorative Bookbinding - Eighteenth Century

Jean-Baptiste Gosselin - W.Cat.204 - 1768

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We can see in Barber's W.Cat.204 information shown above, that he has attributed this binding to Derome le jeune (N.-D. Derome) on the evidence of DCR 5 and DCT 4 both are found in W.Cat.138 while DCR 5 is also found in W.Cat.734. Unfortunately for Barber these bindings were decorated by Gosselin, thus the attribution to Derome on the basis of these Gosselin tools is not correct. Here we enter a rather technical problem of definition, even if we speculate that Derome hired Gosselin and latterly sold the binding as his own work i.e. from his workshop, we should not attribute the binding to Derome. Derome is only famous for his decoration (which was often done by someone else after 1770) therefore attributing Gosselin's decoration to Derome makes no sense even if we found Derome's ticket inside.


cmpt
Comparative Diagram 1 - Barber's DCR 5 and DCT 4.


In Comparative Diagram 1 we see the two linking imprints catalogued by Barber as DCR 5 and DCT 4. DCR 5 is very important as it served as a corner tool and is something to watch out for.


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Comparative Diagram 2 - Barber's PAL 23 vs W.Cat.204 imprint.


In Comparative Diagram 2, we compare Barber PAL 23 with an actual imprint from W.Cat.204. Even though these imprints do not look to be a perfect match, I suspect that Barber's example was taken from W.Cat.544, which is one of the very few catalogued bindings that he does not show. However the difference in the drawer-handle lengths leads me to suspect that these imprints were probably made by the same tool. In any case this is a rarely seen Gosselin palette, and in as much as this binding could have been made in 1768 this may be a very early Gosselin palette that was quickly abandoned.


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Comparative Diagram 3 - W.Cat.204 tools after Barber 2013.

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Comparative Diagram 4 - Barber ROLL 7



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Comparative Diagram 5 - W.Cat.204 corner details.

In Comparative Diagram 5, I have attempted to show Barber's catalogue tools in green. He did not give a full list of his tools for W.Cat.204, such as FR 35 that is in blue and shown below in Comparative Diagram 6. There are tools that he never catalogued that are found in my catalogue such as gos-38a-2 and gos-38b-2 shown in yellow, these are smaller versions of the gos-38 pair that Barber has catalogued as FL 179. Then there is the Gosselin type 5 this I have detailed on a previous page (click here to see it) Barber appears to have not encountered Derome's model of this type nor that of Gosselin or Jubert. However the one example of this type that he does show (FL 189) is a rare early small Dubuisson form that I have detailed on another page click here to see it) This is very interesting as Barber attributes the binding on which this imprint is found to J. A. Derome. Hard to believe that not only has Barber confused the work of Gosselin and Jubert and Delorme and now also Dubuisson, to be that of the infamous Deromes!

We see here in W.Cat.204 a second Gosselin form of this type that can be called gos-5-2 with a much larger central flower.


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Comparative Diagram 6 - Barber FR 35 (gos-37a, gos-37b)

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Comparative Diagram 7 - Barber SP 32 and SP 33 - spine panel corner tools.

In Comparative Diagram 7, I show Barbers spine panel corner imprints SP 32 and 33 that seem to match those found in the panels of W.Cat.204 and in theory they should match as they are linked to some of the other Gosselin bindings that we have studied in these pages.


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click here to see an INDEX of the 2017 pages.

see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf