logo-xls

French Decorative Bookbinding - Eighteenth Century


Dubuisson Atelier vers 1759
click to enlarge

(click on this image to see an enlargement)


click to enlarge


(click on this image to see an enlargement)


I have already mentioned Barber's epic work: Printed Books and Bookbindings: The James A. de Rothschild Bequest at Waddesdon Manor (2 Volume Set) by Barber, Giles, Aylesbury, Buckinghamshire, UK: The Rothschild Foundation, 2013. and here again I show part of his Tool Catalogue as it refers exactly to these Dubuisson roulettes. In his description of ROLL 1 he lists W.Cat. 404, unfortunately he does not show this binding, however he does give a description of it...


click to enlarge


(click on this image to see an enlargement)


... from this description we know, by the presence of 'CB 2' that this is a Dubuisson binding. Barber does not attribute it to Dubuisson because he has been confused by it appearing on a binding decorated by Dubuisson that has a Padeloup ticket inside and assumes then that it is one of Padeloups tools however I doubt this theory knowing as well as Barber, that Dubuisson decorated many bindings for Padeloup. There is no real evidence that Padeloup owned or ever employed 'CB 2' while there is irrefutable evidence that Pierre-Paul Dubuisson often used this tool throughout his life. Padeloup was decorating bindings years before Dubuisson and developed a very particular set of tools that he often employed. Working with the same tools for decades, nowhere will you see 'CB 2' in a decoration where the usual Padeloup tools are found, in fact nowhere will you see 'CB 2' and any other Padeloup tool together on the same binding, therefore Barber 'ascribing' this tool to Padeloup as he does in his description of 'CB 2' (shown below) is proof that he was not an expert on the tools of Padeloup or Dubuisson.


click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 1 - Barber.s 'CB 2' vs Dubuisson pd-4 and pd-4-2

I had the great good fortune to acquire a Dubuisson 'dentelle à l'oiseau' very early (2010) in my research. It was made possibly in the mid 40s and here we find the original 'CB 2'. I was able to scan these imprints and study them in high resolution. Now I have acquired another Dubuisson 'dentelle à l'oiseau' that was executed in 1759 or the following year and the bird is not exactly the same. There are some small differences that Barber should have noticed. I show these in Comparative Diagram 1, they become more obvious when enlarged. You will notice that Barber has included W.Cat 647 in the 'CB 2' list. I show this below and have included Barber's description as well as his reproduction of this binding, and here we find some interesting information that pertains also to our 1759 example.


click to enlarge

(click on this image to see an enlargement)

click to enlarge

click to enlarge

(click on this image to see an enlargement)


click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 2 - Barber's W.Cat.647 vs 1759 Dubuisson 'dentelle à l'oiseau'

In Comparative Diagram 2, we see in the decoration of both bindings the 'CB 2' variant pd-4-2, we also find the same inner roulette ROLL 2, as well as the same palet at the base of the spine PAL 28 arranged in an identical configuration of filets. In the dentelle design pd-4-2 is placed in the same mid dentelle position on both sides of the board. A number of other Dubuisson tools have been employed., this then suggesting that these bindings were quite possibly decorated around the same period and not in 1770 by Derome as Barber has falsely asserted.


click to enlarge

(click on this image to see an enlargement)


Comparative Diagram 3 - 1759 inner roulette vs Barber.s ROLL 2



click to enlarge

(click on this image to see an enlargement)


click to enlarge

(click on this image to see an enlargement)


Comparative Diagram 4 - Barber.s PAL 28 vs W.Cat.647 spine vs 1759 spine.

In Comparative Diagram 4 we compare the W.Cat.647 spine with that of our 1759 spine. Notice the fleurons found the middle of the spine panel on both sides of central star of the Order du Saint Esprit (DST 48).These are FL 42 and barely visible but present in the same position on the much thinner 1759 panel.




click to enlarge

Comparative Diagram 5 - Barber's FL 29 vs pd-8 with FL 42,

In Comparative Diagram 5, I show Barber's FL 29, this is mentioned in his description of W.Cat.647 as well as FL 42 that he did not mention. His only reference for FL 42 is W.Cat.574. Now if you happen to read his description of this binding, you will discover an amazing salad of utterly false information. We know now in this year of 2024 that these tools belonged to and were used incessantly by Pierre-Paul Dubuisson, not J. A. Derome.


click to enlarge

(click on this image to see an enlargement)


Comparative Diagram 6 - Barber's PAL 28 enlarged vs 1759 spine photo
resized to scale with a 1200dpi scan.



On the next page we are going to look at another 1757 Dubuisson Armorial binding. This example is certainly some of Dubuisson's best work and was magnificently reproduced in Rahirs catalogue. This same binding was also reproduced by Seymour de Ricci who included a reproduction of the inside of the front board showing the all important inner roulette. With these combined reproductions we have a maximum of information that we can compare with our 1759 example.



Click here to see the next page





Click here to see the previous page






click here to return to the HOME page.




click here to see the INDEX of the 2017 pages.


see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf