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French Decorative Bookbinding - Seventeenth Century

Luc-Antoine Boyet - 1695


corners


1695 Boyet spine panel corners - lab-corner-3 pairs.



Now we come to an investigation of the 1695 corners, at first it is not so obvious or easy to decide what the whole corner tool might look like. If your memory is not as sharp as it was several decades earlier, then you will be forced to search through a few hundred Boyet bindings to try to find anything similar.



cmpt


Comparative Diagram 1 - Boyet-1695 corners vs Boyet corner 3
(after Isabelle de Conihout et Pascal Ract-Madoux, 2002, #30 page 77).



In Comparative Diagram 1 we see the actual full sized corner compared with the 1695 partial corner imprints. This is again an example of how only part of the tool has been employed in the decoration. I found complete examples of this corner tool on page 77 of the 2002 publication of Isabelle de Conihout et Pascal Ract-Madoux: Reliures françaises du XVIIe siècle : Chefs-d'oeuvre du musée Condé.

It is hard to find examples of this particular set of Boyet corners. I have tackled Boyet corners on a 2019 page, however one could write a book on this subject, Barber seems to have ignored these tools, as he only shows a single example SP 41. How to illustrate and catalogue these imprints remains subject to debate. If we consider the spine panel arrangements where these tools are usually found then we notice that the imprint in the North-West corner is the same as found in the South-East but has been rotated 180 degrees. Let us consider only the idea that there is a west and east side and then a top or bottom, so that the South-West corner will be bottom West and the South-East corner is bottom East, we could easily call them bottom right and bottom left however this may puzzle some readers who would not be sure which was left or right. Therefore bottom West can be catalogued as lab-corner-3W and bottom East will be lab-corner-3E.



cmpt


Comparative Diagram 2 - Boyet corner 3 (after Esmerian 1972, Vol II, No. 53).



In Comparative Diagram 2, I show a spine panel from a Boyet binding found in Esmerian's 1972 catalogue, Volume 2, number 53, here we see only just barely the same Boyet corner 3 pair as well as wings.



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 3 - Boyet-1695 corner vs Boyet corner 3 overlaid.



In Comparative Diagram 3, we have placed our 1695 lab-3W over the Conihout No.30 example and reduced the transparency to 50 percent as well as inverted the color. Even though the Conihout example becomes blurred with enlargement we can still observe that the details match, particularly important are the dots, if this was not the same imprint, you can be sure that these dots would never align so precisely.



click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 4 - Boyet-1695 corner - diagnostic details.



Comparative Diagram 4, is an enlargement of a high resolution photo, where I have pointed out some important diagnostic features. These are so distinct that they will allow us to identify these imprints with a high degree of certainty. The green letter 'a' designates a lab-corner-3E whorl, it is distinguishable from the whorl of lab-corner-3W, marked 'b' that is thickening near the center. The green arrows 'c' and 'd' are pointing to the wedge shaped cuts that do not completely separate these terminating beads, while the cut at 'e' makes a distinct separtion of the beads. This is perhaps the most obvious detail that will help to identify these imprints.



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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf