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Eighteenth Century ART

Suite d'estampes gravees par Madame la marquise de Pompadour
d'apres les pierres gravees de Guay, graveur du roy.


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The good news is that I discovered after searching every possible lead in connection with Suite d'estampes gravees par Madame la marquise de Pompadour d'apres les pierres gravees de Guay, graveur du roy. a digitalized copy of the 1782 edition. This is Madame de Pomadour's completed work and I am going to show here the additional engravings that are in this set as well as some of the text to give a sample of the notes for each engraving. First of all however I want to thank the Herzogin Anna Amalia Bibliothek for making this publication available to the world.



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Here is plate No. 1 and wondered if I could still find this bit of jewelry somewhere on the internet, sure enough there was something similar on Gallica. (click here to see it.) However the image was reversed, I wondered if maybe thats something to do with the way Mademe Pompadour made these engravings. In the catalogue data you find no mention of this being anything to do with the Pomadour plates. They give the measurements of it as being 96 x 82 mm. really not small. Then I had the brainwave to check the hand written Table of Contents from found in the Walters copy.



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When I found it, I discovered that the units of measure that they were using in the pre revolution mid-eighteenth century was not millimetres, so then you scurry about to find out what they were, and it turns out that the measurements given in the Table were units of ligne 40 high and 32 wide, in the tables below we see that we have to multiply these figures by 2.256 to get millimetres 90.24 x 72.19. So these measures do not match up, even if you imagine that Pompadour was just measuring the stone and the Gallica measurements are for the whole object. Searching further I found another reference in the BnF catalogues, Format: sardonyx a trois couches ; 97 x 82 mm, monture comprise.



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Science would not exist without measurement. In the diagrams below I show that the actual stone, a three layered sardonyx is only about 75 x 60 mm. Someone is bound to ask if there isn't a chance that there are two of these finely carved items. I suspect that if there was, we would know, they would be in evidence, and if you search you do not find another identical twin, not even close, my guess is that the Plate 1 example is in fact the same engraved and signed example that we see in the BnF Gallica photos that I show here. Madame Pompadour must have measured the mounting as well. Below I show just how similar the engraving and the real thing are. *note that I have reversed the Plate 1 engraving in some of these diagrams.



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Above I show the plates that are not found in the early collections of plates given away to friends by Madame de Pompadour and later by her brother. If you read carefully the literature that surrounds this work of Madame Pompadour, I think you will see that she was not sure that it would be acceptable, or lets say, good enough to stand up to the strong scrutiny of the critics. She never finished this work and never brought it to a conclusion even though everything may have been ready by 1760. If I had the time to read Jean Franois Leturcq's book, Notice sur Jacques Guay: graveur sur pierres fines du roi Louis XV printed by Librairie de J. Baur, 1873, this entire work can be viewed online at Archive.org (click here to see it), I am sure that the answers to some of these questions would be found, why was this Suite d'estampes gravees par Madame la marquise de Pompadour d'apres les pierres gravees de Guay, graveur du roy, left unfinished?

I close this page with the rather sad portrait of Madame la Marquise de Pompadour by Boucher, it is found in the front of 1782 edition. Who knows how the world might have changed had she lived longer... Madame de Pompadour once said... "Every day, I wish to make the world more beautiful than I found it."


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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf