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French Decorative Bookbinding - Eighteenth Century

Luc-Antoine Boyet - dentelles


http://www.virtual-bookbindings.org/boyet-2017/ebay-imitation.html
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(click on this image to see an enlargement)


I bought the dentelle binding shown aboue on eBay in 2017 and made some pages on it aty the time (click here to see them). This binding is found on L'Imitation de Jésus-Christ, traduite et paraphrasée en vers françois par Pierre Corneille, conseiller du roi. Bruxelles. Foppens, 1704. On this page we are going to concentrate on some high resolution images of this binding.


click to enlarge


Many of you have probably seen the 'drape" shown in Comparative Diagram 1, and few will have seen it at a resolution high enough to discern what is actually going on in this imprint. Even at high resolution this is a mysterious object, something like a prehistoric double headed fish monster, some think it is actually some sort of floral bouquet. This imprint in many variations became hugely popular during the 18th century, however the primary difference between those that followed and this original is that there are actually three tools used to compose this 'drape'. I have attempted to show this with the green arrows A and B, showing thet the point of attachment is different in each, therefore the rings with ribbons attached are an added accessory, the green number 1 as opposed to the green number 2 indicate that the rings themselves are of a different size and shape, thus three distinct tools are combined. This is also obvious by the different dangle angle of the ribbons as indicated by the green lines C and D. The letter H indicating something very mysterious that you will see more clearly in the enlargement.


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(click on this image to see an enlargement)


Comparative Diagram 1 - Boyet 1704 'drape' examples


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(click on this image to see an enlargement)


Comparative Diagram 2 - Boyet 1704 lab-3-2 vs 234 Terence vs lab-3 Davis473.


In Comparative Diagram 2 we see something due to this high resolution scan, that we might have otherwise missed. I suggested, on a previous page (click here to see it) that it would be unlikely that Boyet had two of these tools, here now I am proven wrong however, this example that we can catalogue as lab-3-2 is not the same as the Terrence example and is easily recognized from lab-3 by its very long antenna.


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(click on this image to see an enlargement)


Comparative Diagram 3 - Boyet 1704 - photograph vs 1200 dpi scan




When we are faced with unexpected tool variations we need to find out if this is really a Boyet, although the 'drape' would serve as ample proof we can look for confirmation in the decoration of the spine. In Comparative Diagram3, I present a method of resizing photos to an exact scale. The 1200 dpi scan is great for dentelles on the boards but not very good on the spine where the surfaces are not flat, the focus of the scanner is exactly at the level of the glass, there fore the raides bands of the spine are in focus an the rest not quite. A photograph is the alternative but getting the photo to the right scale more of a challenge. It is a matter of selecing part of your scan and matching the exact same detail in your photo. This really only works with height, once you know the height of your scanned detail you adjust the height of the ph0to to the same pixel hieght, now you have the sharp photographic detail at exactly 1200dpi. This works but is not perfect as there is distortion caused by the curved surface of the spine as well as depth of field focus problems. Here the leather of the spine is such that even a perfect photo will not provide you with sharp imprint detail.


click to enlarge


(click on this image to see an enlargement)


Comparative Diagram 4 - Boyet 1704 - photograph vs 1200 dpi scan



In Comparative Diagram 4, we see a beautiful Boyet palette 1 example from another Boyet binding (click here to see it) This is a Boyet type I palette according to page 110 of the 2002 Paris publication entitled: Reliures françaises du XVIIe siècle : Chefs-d'oeuvre du musée Condé, by Isabelle de Conihout & Pascal Ract-Madoux, who have illustrated, under a title of "Fers du doreur de Boyet", a selection of rubbings of the more common tool imprints from bindings which they attribute to Luc-Antoine Boyet. In my example shown in Comparative Diagram 4, this palette from a 1693 example, repeats itself 3 times and is therefore a rather short palette, that is the same as our 1704 example, confirming that this is indeed a Boyet.


dopple


Boyet imprint lab-dopple-2



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click here to see an INDEX of the 2017 pages.

see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf