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French Decorative Bookbinding - Eighteenth Century

Luc-Antoine Boyet 1688


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The binding shown above is found in a LIBRAIRIE SOURGET - MANUSCRITS ET LIVRES PRECIEUX - CATALOGUE N° XXI published in the year 2000. page 290, lot 113.
According to the Sourget information for this 1688 binding, it has been decorated with the armes of Marie-Ursule des Salles who attended Saint Cyr in 1687 and her signature is found on the title page. As she would have been a young student in 1687 we might suppose that she acquired this book somewhat later and that therefore this binding by Boyet may have been executed some years after 1688 although I have no way of knowing that for certain at the moment (click here to see the fascinating story of saint Cyr (Maison royale de Saint-Louis). By a strange coincidence these armes happen to resemble closely the arms of madame de Montespan, who you may remember was the mistress of Louis XIV and the mother of Madame Lucifer.


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Françoise de Rochechouart de Mortemart, future marquise de Monstespan (1640-1707)
1660 by Charles Beaubrun


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Comparative Diagram 4 - armorial stamps - Madame Montespan vs Marie-Ursule des Salles


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I noticed in the spine decoration of this binding a fleuron that looked very similar to one in a similar position on the binding that we examined on page 9 (Comparative Diagram 3), a 1727 Collombat Semaine Sainte, I show it again here below.


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Boyet spine detail 1727




To test this I scanned the catalogue photo and resized it to a correct 600dpi scale, and then compared the spine panels, the result is seen in Comparative Diagram 1, here was a great shock not only was the side fleuron the same but also the corner imprints and possibly the framing 3 block roulette.


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Comparative Diagram 1 - 1728 Boyet spine detail vs 1688 spine detail






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Comparative Diagram 2 - 1728 Boyet spine details vs BL G2427 spine details




Fortunately after looking at these corner tools in Comparative Diagram 1, checked some of the other bindings that we have been looking at and bingo I find the same corner tool on the British Library binding G2427, not only that but in the G2427 example we see almost all of this tool, this is very much like the work we have done on the 1698 Breviarium, and I knew one place where I might find this corner.


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The binding shown above is Boyet binding example 36 in Reliures françaises du XVIIe siècle, by Isabelle de Conihout & Pascal Ract-Madoux, Paris, 2002. Here we can see some corner tools that have not been squeezed into a spine panel and distorted,


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Comparative Diagram 3 - BL G2427 spine imprints vs Boyet 36 corner (after Conihout Ract-Madoux 2002)




In Comparative Diagram 3, we get a lucky break to find the exact Boyet corner tool that has been used in all three bindings. This is amazing and suggests that Boyet perhaps used less tools than I previously imagined, here he is using the same corner tool for perhaps decades, we don't know for sure yet however we do know that these corners were used in 1727 and possibly later, where as Isabelle de Conihout & Pascal Ract-Madoux estimate that these tools were used by Boyet in the 1690-1700 time frame. Meanwhile this is not the same corner tool that was used on the 1698 Breviarium, we now have at least 2 pairs to catalogue.


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Comparative Diagram 3 - Le Gascon corner tools (after Esmerian 1972 Tableau Comparatif)




In their notes on Boyet binding 36, Isabelle de Conihout & Pascal Ract-Madoux refer to this style by Boyet as a pseudo le Gascon. In Comparative Diagram 3, I have reproduce Esmerian's illustrations of Le Gascon's tools as well as similar tools by others. In Comparative Diagram 4, I show some actual examples of Le Gascon imprints, compared with Esmerians model, which is not exactly the same however an excellent attempt to nutshell this imprint. The point being that Boyets corner sprays are more elaborate than those of Le Gascon, incorporating pods to extend their length. These pods were probably at some point, just a normal add-on, that was at some point the fashion, however Boyet advanced this design to include the pods and dots all in one tool. Whether or not he was the first to do this needs some further investigatiion.


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Comparative Diagram 4 - Le Gascon corner tools vs Esmerian illustration (Esmerian 1972 Tableau Comparatif)




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Comparative Diagram 5 - Boyet retrospective binding No. 53 (after Esmerian 1972) vs No. 30, page 77
(after Isabelle de Conihout & Pascal Ract-Madoux, Paris, 2002.)




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Comparative Diagram 6 - Boyet corner tools - Esmerian No. 53




In Comparative Diagram 6, I show another set of these Boyet corner tools, this is a smaller set that was made without add-on pods, these then are easy to distinguish from the corners shown in Comparative Diagram 3.


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Comparative Diagram 7 - Boyet corner tools - Esmerian No. 65




In Comparative Diagram 7, I show yet another set of these Boyet corner tools, these are on smaller books with less room in the spine panels. The color example has a date of possibly 1700 (click here to see a full study of the many Boyet tools on this binding).


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Comparative Diagram 8 - Boyet corner tools - Dentelle a la Vieuville


In Comparative Diagram 8, this is a certain Boyet, it is shown with the fer 1 from the illustrated diagram of Boyet tools by Isabelle de Conihout & Pascal Ract-Madoux, Paris, 2002. This is a very interesting corner it has a small flower inside it, as well as large pods, it is different enough that you are sure to recognize it.



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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf