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French Decorative Bookbinding - Eighteenth Century

Luc-Antoine Boyet


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BREVIARIUM FRATRUM B.V.MARIÆ DE MONTE CARMELI année 1698


I tried every trick in the book to find another example of this decorative endpaper, after a long and unsucessful search, I satified myself with the knowledge that I learned a few things from it. I noticed for instance, certain differences in these brocade papers, it may be that this particular one, is an example of what has been called bronze varnish paper or Bronzefirnispapier. It differs from the brokatpapier in that the motifs are in gold where as with Brokatpapier the background is in gold, also I think it is an earlier process which might explain how Boyet was using it at the end of the 17th century.


The production technique of the bronze varnish paper has its origins in the printing of textiles. The motifs were - as in the model printing paper - cut by cutters in wood. Decisive for the quality of the printed paper is the optimal composition of the bronze varnish mixture, which is used as printing ink. The papers were printed in the letterpress press. This technique was invented at the end of the 17th century, probably in Augsburg. Bronze varnish papers were made in the relatively short period between 1680 and the first third of the 18th century. They are relatively rare, as they were soon replaced by the technically advanced Brokatpapieren.

"Die Herstellungstechnik des Bronzefirnispapiers hat ihren Ursprung im Stoffdruck (Zeugdruck). Die Motive wurden ­ wie beim Modeldruckpapier ­ von Formschneidern in Holz geschnitten. Entscheidend für die Qualität des gedruckten Papiers ist die optimale Zusammensetzung des Bronzefirnisgemischs, das als Druckfarbe verwendet wird. Gedruckt wurden die Papiere in der Buchdruckpresse. Erfunden wurde diese Technik Ende des 17. Jahrhunderts, vermutlich in Augsburg. Bronzefirnispapiere entstanden in dem verhältnismäßig kurzen Zeitraum zwischen 1680 und dem ersten Drittel des 18. Jahrhunderts. Sie sind relativ selten, da sie bald von den technisch weiterentwickelten Brokatpapieren abgelöst wurden."



After attempting to find out if any motif in this paper repeated itself, I decided to make the Comparative Diagram 1, using photos that are all aproximately the same size. Here we find that one piece of paper covered the front (both sides) and one on the back (both sides) and while the front and back papers are the same, the papers themselves do not have a repeating motif. This strikes me as a lot of work to make this paper, and it will be very interesting to find out the history of it, who made it and when?


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Comparative Diagram 1 - Boyet 1698 endpapers Bronzefirnispapier?


Yes it is no easy task trying to see what matches and what doesn't in Comparative Diagram 1, however I have placed small yellow and green dots to help your eyes orient themselves a bit. I can imgine the thrill of the owner of this book when he finally received it from the Royal binder, Luc-Antoine Boyet. Not just the magnificent the binding but this sumptious decor inside, something that no one is likely to have ever seen before, a richness devine well suited a work of this nature.




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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf