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French Decorative Bookbinding - Eighteenth Century

Delorme and the Dubuisson bindings - page 2


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217

The reproductions shown above are of a better quality than you can usually find, I have discovered again today that this work we are doing of comparing inprints, requires using high resolution images. I will tell you why, up until now I had assumed some of Delormes imprints were simply Delorme using Dubuisson tools. The problem that I am discovering now is that Delorme was using look alike tools that were so well made you could not tell the difference between them. The differences that you might expect to see, that might be caused by excessive gold in the imprint or old and worn tools are sometimes larger than differences in the actual tools. However with these better quality reproductions I was able to raise the enlargements to that of a 1200 dpi scan, and here we discover Delorme employing tools that only look like Dubuisson tools.


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Comparative Diagram 1 - Rahir 217 imprints vs No. 56 imprint with overlay.

In Comparative Diagram 1, we compare pd-36b imprints from the Rahir 217 binding, a certain Dubuisson binding from 1757, with the imprints from binding 56 with an overlay. You can clearly see that the shoulders of the Dubuisson imprints (designated with green arrows) differ in shape and are broader.




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Comparative Diagram 2 - Dubuisson imprint pd-36b vs Rahir 217 imprints vs No. 56 imprints vs Delorme imprint del-36b and del-36b-2

In Comparative Diagram 2, I have taken this high resolution examination a lot further to include early Dubuisson imprints from Davis487, here we open a giant can of worms as it appears as though the Dubuisson pd-36b imprint from 1747 is not the same as the Dubuisson imprint from 1757. It is the 1757 model that has the broader shoulders and now I have catalogued it as pd-36b-2. To further complicate matters it appears as though Delorme had 2 different models of this tool. The first that we see in binding 56, I have catalogued as del-36b and the second that we saw on the previous page becomes del-36b-2.




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Comparative Diagram 3 - Dubuisson imprint pd-36a vs Delorme imprint del-36a with overlay

In Comparative Diagram 3, things are no less complex, I have found that the early Dubuisson imprints from this pair of tools do not match the 1757 examples thus the 1757 examples will become pd-36a-2. These compared with the No. 56 examples show a again significant shoulder differences as shown with the overlay, however the Delorme examples from my 1764 Breviarium seem to be only slightly different from the original pd-36a, I have decided to catalogue them provisionally as del-36a.




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Comparative Diagram 4 - del-36a examples scanned at 1200dpi (1764 Breviarium)

In Comparative Diagram 4, one can see the problems confronting the researcher of gold tooled imprints that are hundreds of years old. By some sort of magic, things appear that are not usually there, while things that should be there have mysteriously disappeared. All this without forgetting that these imprints could easily fit on the nail of a person's thumb.




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Comparative Diagram 5 - Delorme imprint del-36a thumbnail scale.





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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf