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French Decorative Bookbinding - Eighteenth Century

OFFICE DE LA SEMAINE SAINTE 1760
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(click on this image to see an enlargement)




On the previous page we went through an elaborate proceedure to be able to produce the imprints that you see above, these are shown at 150 dpi, and enlarge to 300dpi. I want to get right to the meat of the this exercise it concerns the imprint that Barber has catalogued as FL. 150.


click to enlarge

(click on this image to see an enlargement)



overlay

In the overlay diagram shown above I have placed Barber's FL. 150 type model over the 1760 example. By inverting the Barber imprint and changing it to a 40% transparency we can more clearly see the 1760 imprint underneath. the dark shadow like outline is caused by the Barber imprint. On the previous page we discussed the problem of resizing width. In this example I can see that the 1760 imprint is probably the same imprint as FL. 150, however it is slightly bigger due to this resizing problem. The imprint has been turned 90 degrees for this diagram, the larger amount of shadow at the base as opposed to a small amount of shadow at the top, is due to making the binding too wide, the imprint is, I suspect, the same one.


101


On page 277 of Catalogue of Printed Books and Bookbindings: The James A. de Rothschild Bequest at Waddesdon Manor, by Giles Barber 2013, we find that Barber has attributed the binding W.Cat 101 to Douceur where he lists the other tools found on this binding that he ascribes to Louis Douceur. We will come back to looking at this binding later. First we must examine the other tools found here on the 1760 binding logically they should all be Douceur tools.


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(click on this image to see an enlargement)



Comparative Diagram 1 - UNIDENTIFIED 1760 imprints vs Louis Douceur imprint 1754.

In Comparative Diagram 1, we can clearly see that these particular imprints found on the 1760 Office (shown as UNIDENTIFIED), appear to be from tools that were made to imitate Douceur's tools. We can see however that there are some distinct differences. Therefore this binding has not been made by Louis Douceur. Similarly we can conjecture that Barber's W.Cat 101, is not a binding that has been made by Douceur.



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see below links to previous work






Atelier I B 31/10/2014





Icons of the Renaissance 06/02/2014





Atelier au trefle 22/12/2014




Atelier Royal 1518 - 1524 09/11/2014





Unraveling G. D. Hobson's book on fanfares 27/11/2014





16c fanfare on eBay 23/11/2014




another Padeloup binding on eBay 07/12/2014


the last Padeloup fanfare?


Rare Padeloup binding on eBay 15/11/2014



Pierre-Paul Dubuisson's work attributed to Derone le jeune 23/10/2014 (unfinished work now finished)


Pierre-Paul Dubuisson's work attributed to Douceur 22/10/2014 (an under contruction page finished at last)


Louis-Marie Michon - the 1956 Disaster 19/10/2014 (an unfinished page finished at last)


Louis XII Dolphins motif 03/02/2014


Aristophanes Binder 1543 02/02/2014


Atelier des reliures LOUIS XII - Atlas Catalan 12/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Linacre bindings 05/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier c. 1500-1520


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Chronology 16/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 29 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - Inventory - binding No. 39 19/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The mysterious disappearance of François Tissard d'Amboise 23/01/2014


Atelier des reliures LOUIS XII - FRANÇOIS Ier - The Simon Vostre fiasco 18/01/2014


L'Atelier Simon Vostre 1486-1521 01/01/2014


L'Atelier de Pierre Roffet 1511-1533 - TOOL CATALOGUE 26/01/2014


L'Atelier de Pierre Roffet 1511-1533 27/12/2013


Pierre Roffet - fleur-de-lis binder 28/12/2013


Fleur-de-lis Binder 1525-1540 27/11/2013


Du Saix Master 02/12/2013


Atelier Étienne Roffet 1538-1549 12/12/2013


Atelier Jean Picard 1538-1547


Imitative Binder c.1540 15/12/2013


Salel Binder 1540 17/11/2013


Atelier Ruette 1606-1669 INVENTORY


Atelier Macé Ruette 1606-1644


Atelier du Maitre Doreur 1622-1638


Atelier Antoine Ruette 1638-1669


Atelier des Caumartin 1652-1715


Atelier de Charenton 1670-1685


Atelier Luc-Antoine Boyet 1685-1733


Atelier Antoine-Michel Padeloup. dit Le Jeune 1685-1758


Atelier Louis Douceur 1721-1769


Atelier Pierre-Paul Dubuisson 1746-1762


Atelier Nicolas-Denis Derome, dit Derome le Jeune 1761-1788


Atelier Jean-Pierre Jubert, 1771-1793?


Atelier MM binder, 1770-179-?





A word of Caution

Even experts are sometimes wrong, before you spend thousands on a book, please do your own research! Just because I say a certain binding can be attributed to le Maitre isn't any kind of guarantee, don't take my word for it, go a step further and get your own proof. In these pages I have provided you with a way of doing just that.

Virtual Bookings, created by L. A. Miller return to the Home page of VIRTUAL BOOKBINDINGS

l.a.miller@mail.pf